The 2009 cast just after the first meeting and read-through. |
AMJ (far left) stages More Important Things with Matt Dumouchel (Nate), Anders Balderston (Edwin), and Brodie MacRae (Jack). |
Lindsay Kyte channels her best Anne, even in modern clothes. |
Natalie Oman (Maud) runs through a scene with Scott McGuigan (Herman). |
Grandmother (Hazel St. Amand) and granddaughter recreate the post office at the Cavendish homestead. |
Kyla Cook practices Kilmeny's theme. |
Helen Killorn and Natalie Oman were able to work their own newfound friendship into the "kindred spirit" relationship of Frede and Maud. |
Brodie MacRae (now in the role of Ewan, Maud's husband) tackles Eternally Lost, the song revealing Ewan's religious melancholia. |
Anders Balderston works on his character's song The Correspondence of Edwin. |
Natalie Oman gets into the emotionality of Maud processing her father's death. |
Madeline Duffy on her first day rehearsing her role of Young Maud. |
Now working at the Carrefour Theatre, choreographer Jemima Sutherland takes the cast through The Dream Life Waltz. Here, Leo stands in for an absent cast member. |
AMJ was allowed to borrow a real vintage telephone from The Telephone Museum of PEI to use as a prop in the show. Photo by Dave Hunter. |
AMJ celebrated his 40th birthday on stage in the middle of rehearsals. Hair and Make-Up girl (and Understudy Maud) Renae Perry holds the cake. |
Jemima Sutherland and the cast jitterbug their way through Two-Timin' Timmy, with stage manager (and assistant director) Rob Reddin observing. |
During all-important Tech Week, Natalie Oman and Helen Killorn wait as not only stage lights are set, but as the video screen is also used to display LED lights. |
The red Eternally Lost lights are trained on Brodie MacRae. |
Lacey Koughan (Marigold) and Natalie Oman take their turn waiting for lighting 3 days before preview night. |